![]() Given Saarinen’s bold nature, it is not surprising that the National Broadcasting Company appointed her as the chief of its Paris news bureau. Saarinen also had no problem cutting off individuals she interviewed if she found them to be either unexciting or too talkative. She did not hesitate to express her view on art and architecture she did not like, developing a list of the six worst human creations: the Pan Am building, Salvador Dali’s Last Supper, the typical suburban house, glass sculpture at Lincoln Center, a lamp with a violin base, and the faces on Mount Rushmore. Saarinen often resorted to unorthodox means of criticism-at one point comparing a bronze sculpture of a runner to film clips of an actual sprinter. Therefore, she examined a wide variety of topics, from Vatican art to postage stamp design. She felt that the more that people knew about art, the better off both they and the art world would be. Just as she rose quickly as an art critic in the world of written media, Saarinen soon gained prominence in the world of television, becoming a well-known on-air personality.Īs a television art critic, Saarinen’s commentaries were both entertaining and informative. Saarinen’s style was simple, informal, and pleasant. ![]() In 1962, the Metropolitan Museum of Art exhibited Rembrandt’s “Aristotle Contemplating the Bust of Homer.” Since she had established herself as a respected critic in print, television reporters sought Saarinen’s insight on this portrait.
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